Having dispensed with the idea of doing a "proper" real-time Metal Gear game based around the usual combination of high-tension sneaking, panic-stricken retreat and high-concept cinematic interludes, the team lead by director Shinta Nojiri (who, despite receiving a front-of-the-box credit in Japan, has to make do with a barely visible reference on the reverse in the USA - what's that about, Konami?) instead opted to create something bound by elements destined to antagonise as many as they enthral. But it was a sign of things to come.Īpparently not unlike the box itself, Acid is intricate and ingenious but disappointingly rough around the edges. Both items escaped unblemished through a mixture of resilience (UMDs are deceptively tough) and my own forethought (I had my knees together under the potential flight-path of the tumbling manual).
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At which point the beautifully illustrated manual nearly fell into a pile of sick.
Greedily ripping the cellophane from my copy of Metal Gear Acid on the train, I was distressed to learn that the clip holding the UMD had worn out, and I wound up catapulting the poor disc halfway across a busy Tube carriage.
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